This morning, Aimée turns 23, it's her birthday, and she's giving herself 24 hours before her life comes to an end.

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The Foodimals join Earl's scouting program but are very competitive.

Earl. profiles the inspiring and complex life of an unknown, brilliant American composer. Earl's story crosses boundaries from classical music to politics, education, cultural self-awareness, war, human rights, and even weapons of mass destruction. Most of all, it is a story of the profound power of music to change lives.

Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

A grey man can see the colors on others. Obsessed with their beauty, he tries to please people to connect with them. Repeated failures cause him to lose himself, leaving him an exhausted, hollow shell.

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Series featuring the master of sleight of hand and deception performing jaw-dropping stunts

Nowhere, Nobody is a reflection of the life and perspective of Earl Sweatshirt. Through sheer symbiosis, they also reflect the life and perspective of co-writer and director Naima Ramos-Chapman, whose Afrosurrealist vision helped give his latest album, Some Rap Songs, new life.

Scientists discover a creature frozen into the ice fields of the North Pole. As it is gradually brought back to life in a bold experiment, the creature experiences flashbacks of its painful past with its creator. Two hundred years after its publication, American composer Mark Grey takes Mary Shelley’s groundbreaking science fiction novel as the basis for his first full-length opera. Directed by Àlex Ollé of the theatrical group La Fura dels Baus, this modern interpretation warns of the growing gulf between our capacity to invent and our inability to comprehend.